Planning on reintroducing this to the old arsenal. There is a difference for odd/even harmonics between this two and both sounding a bit different (I own both). IMO there is only the Oxford (Sonnox) Inflator and UAD Precision Maximizer playing in the same ballpark.
#Uad sonnox oxford inflator software
UAD Software v7.0 also includes the new UA-developed Ocean Way Studios Plug-In, available for 349. The Inflator uses a psychoacoustic effect which could be labelled as 'loudness because of distortion'. The Sonnox Oxford Inflator sells for 179. Available now via UA’s Online Store, the SPL TwinTube Plug-In is 199. I noticed the high end was more prominent than what Pro-L 2 and Limitless were giving me, but a small tweak to my EQ settings and that was that. The other, in the form of the Sonnox Oxford Inflator, puts a highly respected plugin into UA’s powered platform.
![uad sonnox oxford inflator uad sonnox oxford inflator](https://www.sageaudio.com/blog/wp-content/uploads/2020/12/Screen-Shot-2020-12-02-at-11.01.22-AM-932x1024.png)
The song was distorting in Fabfilter and DMG which is why I reached for Sonnox. I'll start: Yesterday using the "Harder limiting safe" preset and disabling Auto Gain I got a really nice aggressive punchy Rock sound. What was I thinking?Īnyone still using this plugin? Want to share any tips, tricks, favorite presets to start from? How you use it differently for different genres?Īnything really, I just feel like learning more about it. Kinda scratching my head as to why I shelved this thing years ago. I mean in terms of preserving punch/attack in a "tastefully loud" master without distorting.
![uad sonnox oxford inflator uad sonnox oxford inflator](https://i.ytimg.com/vi/PVExz8lgBPo/maxresdefault.jpg)
Operating between 20hz - 20kHz, this plugin goes deeper than your standard de-esser, letting you. Whether you need to remove harshness from an electric guitar, or simply remove sibilance from a vocal track, the Oxford SuprEsser is the solution. I recently started rediscovering this plugin, experimenting with some of the presets as starting points, and getting some surprisingly good results compared to my other go-to limiters. Reduce problematic frequencies with ease using the Oxford SuprEsser.